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Artists · Billboard Hot 100

The Glories

Charting Jun 17, 1967Jul 15, 1967 · 5 weeks with chart power

Charted in 1 of 2 marketsBillboard Hot 100 5 wk

Compare with other artists
Peak Power
0.10%
week of Jul 15, 1967
Career Power
1
share-weeks
Crowns
0
weeks crowned Artist of the Week
Peak Year
1
July 1966 – July 1967
Peak Five Years
1
July 1962 – July 1967
Top-five weeks
0
weeks ranked 1–5
Longevity
5
weeks with chart power
Dominance
0.28%
week of Jul 8, 1967
Comebacks
0
none detected

Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →

Exponentially smoothed share of the week's total power (the primary metric).

Songs on the Billboard Hot 100

1 song · 1 share-weeks of Career Power

Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.

SongPeakWeeksPower
I Stand Accused (Of Loving You)#7451.1

30-second previews and store links from Apple Music.

At their peak

1966 in music

The Glories's best twelve months on the Billboard Hot 100 ran from July 1966 to July 1967. The most powerful artists over those weeks:

  1. 1The Supremes113
  2. 2The Monkees111
  3. 3The Mamas & The Papas88
  4. 4Four Tops87
  5. 5The Lovin' Spoonful80
  6. 6Tommy James And The Shondells77
  7. 7Petula Clark75
  8. 8The Beatles74
  9. 9Herman's Hermits71
  10. 10Johnny Rivers71

Ranked by Era Power over the same weeks.

Their decade: the 1960s.