Artists · Billboard Hot 100
The Monitors
Charting Apr 16, 1966 → Apr 16, 1966 · 1 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 1 wk
- Peak Power
- 0.01%
- week of Apr 16, 1966
- Career Power
- 0
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 0
- April 1965 – April 1966
- Peak Five Years
- 0
- April 1961 – April 1966
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 1
- weeks with chart power
- Dominance
- 0.12%
- week of Apr 16, 1966
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
1 song · 0 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| Greetings (This Is Uncle Sam) | #100 | 1 | 0.1 |
At their peak
1965 in music →The Monitors's best twelve months on the Billboard Hot 100 ran from April 1965 to April 1966. The most powerful artists over those weeks:
- 1The Beatles153
- 2Herman's Hermits144
- 3The Rolling Stones119
- 4Gary Lewis And The Playboys105
- 5The Supremes93
- 6The Righteous Brothers88
- 7The Beach Boys87
- 8The Dave Clark Five86
- 9Four Tops76
- 10Sonny & Cher73
Ranked by Era Power over the same weeks.
Their decade: the 1960s.