Artists · Billboard Hot 100
The New Establishment
Charting Nov 29, 1969 → Dec 6, 1969 · 2 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 2 wk
- Peak Power
- 0.03%
- week of Dec 6, 1969
- Career Power
- 0
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 0
- December 1968 – December 1969
- Peak Five Years
- 0
- December 1964 – December 1969
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 2
- weeks with chart power
- Dominance
- 0.15%
- week of Dec 6, 1969
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
1 song · 0 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| (One Of These Days) Sunday's Gonna' Come On Tuesday | #92 | 2 | 0.3 |
At their peak
1968 in music →The New Establishment's best twelve months on the Billboard Hot 100 ran from December 1968 to December 1969. The most powerful artists over those weeks:
- 1Creedence Clearwater Revival118
- 2The Temptations111
- 3Tommy James And The Shondells105
- 4The 5th Dimension98
- 5Marvin Gaye91
- 6Elvis Presley89
- 7Sly & The Family Stone84
- 8Blood, Sweat & Tears82
- 9The Beatles81
- 10Three Dog Night81
Ranked by Era Power over the same weeks.
Their decade: the 1960s.