Artists · Billboard Hot 100
The Razor's Edge
Charting Jul 30, 1966 → Sep 10, 1966 · 7 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 7 wk
- Peak Power
- 0.12%
- week of Sep 10, 1966
- Career Power
- 1
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 1
- September 1965 – September 1966
- Peak Five Years
- 1
- September 1961 – September 1966
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 7
- weeks with chart power
- Dominance
- 0.26%
- week of Sep 3, 1966
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
1 song · 1 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| Let's Call It A Day Girl | #77 | 7 | 1.5 |
At their peak
1965 in music →The Razor's Edge's best twelve months on the Billboard Hot 100 ran from September 1965 to September 1966. The most powerful artists over those weeks:
- 1The Beatles153
- 2The Rolling Stones121
- 3The Lovin' Spoonful113
- 4Gary Lewis And The Playboys90
- 5Simon & Garfunkel83
- 6Herman's Hermits81
- 7The Mamas & The Papas80
- 8The Righteous Brothers76
- 9The Supremes76
- 10Herb Alpert & The Tijuana Brass75
Ranked by Era Power over the same weeks.
Their decade: the 1960s.