Artists · Billboard Hot 100
The Womenfolk
Charting Apr 18, 1964 → May 2, 1964 · 3 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 3 wk
- Peak Power
- 0.06%
- week of May 2, 1964
- Career Power
- 1
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 1
- May 1963 – May 1964
- Peak Five Years
- 1
- May 1959 – May 1964
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 3
- weeks with chart power
- Dominance
- 0.23%
- week of Apr 25, 1964
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
1 song · 1 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| Little BoxesApple Music | #83 | 3 | 0.6 |
30-second previews and store links from Apple Music.
At their peak
1963 in music →The Womenfolk's best twelve months on the Billboard Hot 100 ran from May 1963 to May 1964. The most powerful artists over those weeks:
- 1Lesley Gore119
- 2The Beatles119
- 3The Beach Boys117
- 4Bobby Vinton116
- 5The Four Seasons91
- 6Jan & Dean88
- 7Brenda Lee71
- 8Al Martino71
- 9Major Lance70
- 10Peter, Paul & Mary70
Ranked by Era Power over the same weeks.
Their decade: the 1960s.