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Artists · Billboard Hot 100

Buffalo Springfield portraitBuffalo Springfield

Charting Jan 28, 1967 → Oct 26, 1968 · 34 weeks with chart power

Charted in 1 of 2 markets — Billboard Hot 100 34 wk

Compare with other artists →
Image credits
Peak Power
1.54%
week of Apr 22, 1967
Career Power
32
share-weeks
Crowns
0
weeks crowned Artist of the Week
Peak Year
31
January 1967 – January 1968
Peak Five Years
32
November 1963 – October 1968
Top-five weeks
0
weeks ranked 1–5
Longevity
34
weeks with chart power
Dominance
2.92%
week of Apr 1, 1967
Comebacks
0
none detected

Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →

Exponentially smoothed share of the week's total power (the primary metric).

Songs on the Billboard Hot 100

5 records · 32 share-weeks of Career Power

Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.

SongPeakWeeksPower
For What It's Worth (Stop, Hey What's That Sound)#71524.4
Rock 'N' Roll Woman#4473.4
Bluebird#5872.9
On The Way Home#8230.6
Expecting To Fly#9820.2

30-second previews and store links from Apple Music.

At their peak

1967 in music →

Buffalo Springfield's best twelve months on the Billboard Hot 100 ran from January 1967 to January 1968. The most powerful artists over those weeks:

  1. 1The Monkees114
  2. 2Aretha Franklin110
  3. 3The Young Rascals99
  4. 4The Buckinghams98
  5. 5The Beatles89
  6. 6The Turtles87
  7. 7The Association73
  8. 8The Mamas & The Papas68
  9. 9Tommy James And The Shondells68
  10. 10Petula Clark61

Ranked by Era Power over the same weeks.

Their decade: the 1960s.