Artists · Global Music Power
Charley Pride
Charting Aug 23, 1969 → Dec 7, 1974 · 55 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 55 wk
Billboard Hot 100 and UK Singles Chart combined, weighted · UK Singles Chart data ends Sep 18, 2026 · How it works
Each week an artist's share is the weighted mean of their Power Share across Billboard Hot 100 ×1 and UK Singles Chart ×0.45 (weights ∝ √population, US = 1). The divisor is every chart's weight, so a number one is worth the same share in any era — and a week before every chart exists, or after one's data ends, sums to less than 100.
UK Singles Chart data runs to Sep 18, 2026; later weeks combine the Billboard Hot 100 only, so their shares — and the most recent years' Era Power — are lower than a full week's would be.
- Peak Power
- 0.75%
- week of Feb 19, 1972
- Career Power
- 18
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 13
- March 1971 – March 1972
- Peak Five Years
- 17
- April 1967 – April 1972
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 55
- weeks with chart power
- Dominance
- 1.22%
- week of Feb 12, 1972
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Global Music Power
10 records · 18 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list. On this combined chart each song's figures are its figures on each market, weighted as the chart weights them, so the list still adds up to Career Power; peaks and weeks are shown per market.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| Kiss An Angel Good MorninApple Music | #21 | 16 | 12.3 | ||
| Is Anybody Goin' To San AntoneApple Music | #70 | 7 | 1.2 | ||
| I Can't Believe That You've Stopped Loving MeApple Music | #71 | 6 | 1.0 | ||
| (I'm So) Afraid Of Losing You AgainApple Music | #74 | 6 | 0.8 | ||
| Mississippi Cotton Picking Delta TownApple Music | #70 | 4 | 0.7 | ||
| All I Have To Offer You (Is Me)Apple Music | #91 | 5 | 0.5 | ||
| I'd Rather Love YouApple Music | #79 | 3 | 0.4 | ||
| Wonder Could I Live There AnymoreApple Music | #87 | 3 | 0.4 | ||
| I'm Just MeApple Music | #94 | 2 | 0.2 | ||
| All His Childrenwith Henry ManciniApple Music | #92 | 3 | 0.1 |
30-second previews and store links from Apple Music.
At their peak
Charley Pride's best twelve months on the Global Music Power ran from March 1971 to March 1972. The most powerful artists over those weeks:
- 1Three Dog Night81
- 2Carpenters81
- 3Aretha Franklin61
- 4Al Green60
- 5Carole King55
- 6Marvin Gaye52
- 7Jackson 551
- 8Rod Stewart51
- 9Bread51
- 10The Osmonds50
Ranked by Era Power over the same weeks.