Artists · Billboard Hot 100
Chevelles
Charting Jan 25, 1969 → Feb 1, 1969 · 2 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 2 wk
- Peak Power
- 0.01%
- week of Feb 1, 1969
- Career Power
- 0
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 0
- February 1968 – February 1969
- Peak Five Years
- 0
- February 1964 – February 1969
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 2
- weeks with chart power
- Dominance
- 0.06%
- week of Jan 25, 1969
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
1 song · 0 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| Please Don't Desert Me Babywith Gloria Walker | #98 | 2 | 0.1 |
At their peak
1968 in music →Chevelles's best twelve months on the Billboard Hot 100 ran from February 1968 to February 1969. The most powerful artists over those weeks:
- 1Aretha Franklin118
- 2The Beatles99
- 3The Temptations79
- 4The Young Rascals76
- 5Marvin Gaye70
- 6Dionne Warwick68
- 7Diana Ross & The Supremes68
- 8Otis Redding68
- 9Archie Bell & The Drells64
- 10Steppenwolf63
Ranked by Era Power over the same weeks.
Their decade: the 1960s.