Artists · Billboard Hot 100
Everything Is Everything
Charting Feb 8, 1969 → Mar 8, 1969 · 5 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 5 wk
- Peak Power
- 0.12%
- week of Mar 8, 1969
- Career Power
- 1
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 1
- March 1968 – March 1969
- Peak Five Years
- 1
- March 1964 – March 1969
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 5
- weeks with chart power
- Dominance
- 0.34%
- week of Mar 1, 1969
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
1 song · 1 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| Witchi Tai To | #69 | 5 | 1.4 |
At their peak
1968 in music →Everything Is Everything's best twelve months on the Billboard Hot 100 ran from March 1968 to March 1969. The most powerful artists over those weeks:
- 1Aretha Franklin111
- 2The Beatles97
- 3Diana Ross & The Supremes83
- 4Marvin Gaye78
- 5Tommy James And The Shondells73
- 6The Temptations73
- 7Archie Bell & The Drells68
- 8The Doors66
- 9Steppenwolf64
- 10Dionne Warwick63
Ranked by Era Power over the same weeks.
Their decade: the 1960s.