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Artists · Billboard Hot 100

The Fireballs portraitThe Fireballs

Charting Sep 28, 1959Apr 5, 1969 · 69 weeks with chart power

Charted in 2 of 2 marketsBillboard Hot 100 69 wk, UK Singles Chart 9 wk

Compare with other artists
Image credits
Peak Power
1.41%
week of Mar 16, 1968
Career Power
52
share-weeks
Crowns
0
weeks crowned Artist of the Week
Peak Year
24
December 1967 – December 1968
Peak Five Years
26
August 1958 – July 1963
Top-five weeks
0
weeks ranked 1–5
Longevity
69
weeks with chart power
Dominance
2.67%
week of Mar 2, 1968
Comebacks
0
none detected

Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →

Exponentially smoothed share of the week's total power (the primary metric).

Songs on the Billboard Hot 100

8 records · 52 share-weeks of Career Power

Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.

SongPeakWeeksPower
Bottle Of Wine#91421.5
Bulldog#241210.6
Torquay#39138.3
Quite A Party#27107.1
Come On, React!#6381.7
Long Green#7371.6
Goin' Away#7940.8
Vaquero (Cowboy)#9910.1

30-second previews and store links from Apple Music.

At their peak

1967 in music

The Fireballs's best twelve months on the Billboard Hot 100 ran from December 1967 to December 1968. The most powerful artists over those weeks:

  1. 1Aretha Franklin130
  2. 2The Beatles112
  3. 3The Young Rascals76
  4. 4Dionne Warwick74
  5. 5The Temptations65
  6. 6Otis Redding63
  7. 71910 Fruitgum Co.62
  8. 8Cream58
  9. 9Marvin Gaye57
  10. 10Steppenwolf57

Ranked by Era Power over the same weeks.

Their decades: the 1950s, the 1960s.