Artists · Billboard Hot 100
Max Frost And The Troopers
Charting Sep 7, 1968 → Nov 23, 1968 · 12 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 12 wk
- Peak Power
- 0.89%
- week of Nov 23, 1968
- Career Power
- 13
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 13
- December 1967 – November 1968
- Peak Five Years
- 13
- December 1963 – November 1968
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 12
- weeks with chart power
- Dominance
- 1.72%
- week of Nov 9, 1968
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
1 song · 13 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| Shape Of Things To ComeApple Music | #22 | 12 | 12.9 |
30-second previews and store links from Apple Music.
At their peak
1967 in music →Max Frost And The Troopers's best twelve months on the Billboard Hot 100 ran from December 1967 to November 1968. The most powerful artists over those weeks:
- 1Aretha Franklin124
- 2The Beatles111
- 3Dionne Warwick78
- 4The Young Rascals76
- 5The Monkees69
- 6Smokey Robinson & The Miracles63
- 7Otis Redding59
- 81910 Fruitgum Co.58
- 9The Temptations57
- 10Gladys Knight And The Pips57
Ranked by Era Power over the same weeks.
Their decade: the 1960s.