Artists · Global Music Power
Millie Jackson
Charting Mar 25, 1972 → May 2, 1987 · 81 weeks with chart power
Charted in 2 of 2 markets — Billboard Hot 100 67 wk, UK Singles Chart 14 wk
Billboard Hot 100 and UK Singles Chart combined, weighted · UK Singles Chart data ends Sep 18, 2026 · How it works
Each week an artist's share is the weighted mean of their Power Share across Billboard Hot 100 ×1 and UK Singles Chart ×0.45 (weights ∝ √population, US = 1). The divisor is every chart's weight, so a number one is worth the same share in any era — and a week before every chart exists, or after one's data ends, sums to less than 100.
UK Singles Chart data runs to Sep 18, 2026; later weeks combine the Billboard Hot 100 only, so their shares — and the most recent years' Era Power — are lower than a full week's would be.
- Peak Power
- 0.62%
- week of Nov 17, 1973
- Career Power
- 30
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 12
- February 1972 – January 1973
- Peak Five Years
- 25
- October 1970 – October 1975
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 81
- weeks with chart power
- Dominance
- 1.10%
- week of Oct 27, 1973
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Global Music Power
13 records · 30 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list. On this combined chart each song's figures are its figures on each market, weighted as the chart weights them, so the list still adds up to Career Power; peaks and weeks are shown per market.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| Hurts So Good | #24 | 12 | 9.0 | ||
| Ask Me What You WantApple Music | #27 | 14 | 7.7 | ||
| If You're Not Back In Love By MondayApple Music | #43 | 11 | 4.4 | ||
| My Man, A Sweet ManApple Music | #42 | 10 | 3.9 | ||
| If Loving You Is Wrong I Don't Want To Be RightApple Music | #42 | 7 | 2.4 | ||
| How Do You Feel The Morning AfterApple Music | #77 | 7 | 0.9 | ||
| Act of Warwith Elton JohnApple Music | #32 | 5 | 0.7 | ||
| I Feel Like Walking in the RainApple Music | #55 | 4 | 0.4 | ||
| I Miss You BabyApple Music | #95 | 4 | 0.3 | ||
| LeftoversApple Music | #87 | 2 | 0.2 | ||
| My Man Is a Sweet Man | #50 | 1 | 0.2 | ||
| Love Is a Dangerous GameApple Music | #81 | 3 | 0.2 | ||
| Hot! Wild! Unrestricted! Crazy Love | #99 | 1 | 0.0 |
30-second previews and store links from Apple Music.
At their peak
Millie Jackson's best twelve months on the Global Music Power ran from February 1972 to January 1973. The most powerful artists over those weeks:
- 1Michael Jackson83
- 2Al Green80
- 3Gilbert O'Sullivan79
- 4Donny Osmond69
- 5Nilsson68
- 6Elton John66
- 7Bread60
- 8Elvis Presley58
- 9The Stylistics58
- 10America55
Ranked by Era Power over the same weeks.