Artists · Billboard Hot 100
Otis Clay
Charting Aug 24, 1968 → Sep 7, 1968 · 3 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 3 wk
- Peak Power
- 0.04%
- week of Sep 7, 1968
- Career Power
- 0
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 0
- September 1967 – September 1968
- Peak Five Years
- 0
- September 1963 – September 1968
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 3
- weeks with chart power
- Dominance
- 0.13%
- week of Sep 7, 1968
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
1 song · 0 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| She's About A Mover | #97 | 3 | 0.4 |
At their peak
1967 in music →Otis Clay's best twelve months on the Billboard Hot 100 ran from September 1967 to September 1968. The most powerful artists over those weeks:
- 1Aretha Franklin125
- 2The Box Tops80
- 3Dionne Warwick79
- 4The Temptations77
- 5The Monkees75
- 6The Cowsills67
- 7The Beatles64
- 8James Brown And The Famous Flames62
- 9Smokey Robinson & The Miracles60
- 10Gladys Knight And The Pips59
Ranked by Era Power over the same weeks.
Their decade: the 1960s.