Artists · Billboard Hot 100
The Chicago Loop
Charting Nov 5, 1966 → Dec 17, 1966 · 7 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 7 wk
- Peak Power
- 0.38%
- week of Dec 17, 1966
- Career Power
- 5
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 5
- December 1965 – December 1966
- Peak Five Years
- 5
- December 1961 – December 1966
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 7
- weeks with chart power
- Dominance
- 1.02%
- week of Dec 3, 1966
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
1 song · 5 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| (When She Needs Good Lovin') She Comes To Me | #37 | 7 | 4.6 |
At their peak
1965 in music →The Chicago Loop's best twelve months on the Billboard Hot 100 ran from December 1965 to December 1966. The most powerful artists over those weeks:
- 1The Beatles128
- 2The Lovin' Spoonful111
- 3The Rolling Stones105
- 4The Beach Boys95
- 5The Supremes91
- 6Simon & Garfunkel90
- 7The Mamas & The Papas89
- 8Herman's Hermits84
- 9Gary Lewis And The Playboys77
- 10Johnny Rivers70
Ranked by Era Power over the same weeks.
Their decade: the 1960s.