Skip to content

Artists · Billboard Hot 100

Bull & The Matadors

Charting Aug 24, 1968Nov 23, 1968 · 14 weeks with chart power

Charted in 1 of 2 marketsBillboard Hot 100 14 wk

Compare with other artists
Peak Power
0.43%
week of Nov 23, 1968
Career Power
6
share-weeks
Crowns
0
weeks crowned Artist of the Week
Peak Year
6
December 1967 – November 1968
Peak Five Years
6
December 1963 – November 1968
Top-five weeks
0
weeks ranked 1–5
Longevity
14
weeks with chart power
Dominance
0.96%
week of Nov 16, 1968
Comebacks
0
none detected

Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →

Exponentially smoothed share of the week's total power (the primary metric).

Songs on the Billboard Hot 100

1 song · 6 share-weeks of Career Power

Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.

SongPeakWeeksPower
The Funky Judge#39146.1

30-second previews and store links from Apple Music.

At their peak

1967 in music

Bull & The Matadors's best twelve months on the Billboard Hot 100 ran from December 1967 to November 1968. The most powerful artists over those weeks:

  1. 1Aretha Franklin124
  2. 2The Beatles111
  3. 3Dionne Warwick78
  4. 4The Young Rascals76
  5. 5The Monkees69
  6. 6Smokey Robinson & The Miracles63
  7. 7Otis Redding59
  8. 81910 Fruitgum Co.58
  9. 9The Temptations57
  10. 10Gladys Knight And The Pips57

Ranked by Era Power over the same weeks.

Their decade: the 1960s.