Artists · Billboard Hot 100
The Maskman & The Agents
Charting Mar 29, 1969 → May 24, 1969 · 3 weeks with chart power
Charted in 1 of 2 markets — Billboard Hot 100 3 wk
- Peak Power
- 0.04%
- week of May 24, 1969
- Career Power
- 0
- share-weeks
- Crowns
- 0
- weeks crowned Artist of the Week
- Peak Year
- 0
- June 1968 – May 1969
- Peak Five Years
- 0
- June 1964 – May 1969
- Top-five weeks
- 0
- weeks ranked 1–5
- Longevity
- 3
- weeks with chart power
- Dominance
- 0.16%
- week of May 17, 1969
- Comebacks
- 0
- none detected
Ranked by weekly Power Share, part of the ChartReign Power model — not the chart's own positions. How it works →
Songs on the Billboard Hot 100
2 records · 0 share-weeks of Career Power
Power contributed is what each song earned this artist: their weekly Power Share, split across their songs (a featured credit takes its reduced share). Record Power is the song's own figure, the same for every artist on it. Bar length compares songs within this list.
| Song | Peak | Weeks | On chart | Power contributedPower | Record Power |
|---|---|---|---|---|---|
| My Wife, My Dog, My Cat | #91 | 2 | 0.3 | ||
| One Eye Open | #95 | 1 | 0.1 |
At their peak
1968 in music →The Maskman & The Agents's best twelve months on the Billboard Hot 100 ran from June 1968 to May 1969. The most powerful artists over those weeks:
- 1Aretha Franklin90
- 2Tommy James And The Shondells89
- 3The 5th Dimension88
- 4The Temptations84
- 5Steppenwolf82
- 6Diana Ross & The Supremes82
- 7Glen Campbell80
- 8Marvin Gaye78
- 9The Beatles77
- 10The Doors67
Ranked by Era Power over the same weeks.
Their decade: the 1960s.